Pattern for the green necklace "Spring"

Long pause here... I did not have too much time to put my ideas on paper (sort of). And I could not have the time to make the pattern with pictures, as I promised it in FB...
But I tried to make the pattern for the lateral sides of this green necklace:

This necklace has 3 tatted parts: the lateral ones, they are the same, the central one (it will come in a next post), the pearls strand and the clasps. 

It is a 2 shuttle pattern. I used a 120 tiny thread, strand of 3, this allowed me to use the pearls I had available around (white facetted oval Bohemian cristals, 4 mm green acryl pearls, the 11 size seed beads). Also the ring on ring knowledge is required and you should be able to work it from both sides (right and wrong side). 

I would suggest to use a fine thread or, at least, to make a test before you start the real thing. Like this you will have an idea about the finished size of the chain and the beads you will need. 

Fill the shuttles with a decent amount of thread. The ring on ring requires it.  String on each shuttle as much seed beads as the amount of bigger elements you will have for your chain. Actually you need half of it on each shuttle, but better save than sorry. 

Start ring: 18 - 6 close, turn work. 

Chain: 16 ds, turn work

Start ring: 16 + 16 - 16, close, do not turn work. 

Start ring: 16 + 16 close, do not turn work. Make sure that this ring lays below the bigger ring you worked before. 

Start ring: 16 + 16 - 16, close, turn work. Make sure this ring is in top of your smaller ring, the same level as the previous bigger ring. 

Bring one seed bead from the second shuttle. This makes a nicer transition and hides the thread. 

Start chain: 16 ds. 

Split ring: 6 + 6 /6 - 6, close, do not turn work. 

Chain 16 ds, turn work. 

Now you will have to work the next bigger element. This time, you must make sure that the smaller rings (the 16 - 16 from the middle) are at the same side as for the previous element. For this, you will have to make the joins from below. Place the thread on the left side of the work, pass the crochet hook from bottom  through the picots, take the thread and pass the shuttle in the loop from the upper side. I think I have somewhere a picture about it in a  previous post. 

This part should look like this: 

When the desired lenght is reached, comes the assembly and the sewing the pearls part. 

This was what I used, the small lines indicate how I sewed the pearls. To prevent that the sharp edges of the beads cut the thread, you can always use seed beads near the lace. 

About the beads... You have 2 possiblities: you have them already, then you must make some thread tests before. Or you just tat the lace and then buy the beads. 

You have a lot of freedom. This is nice part of Ankars. One takes a pattern and, depending of your beads choice, this same pattern mutates every single time. 

Please let me know if there is something you cannot follow and tell me if there is something to correct. I am always here to help, if I can. 

Blue medallion

I posted some time ago a test and someone wanted to have the pattern for the blue element. I do not know if it is 100% original,  the outerline was also used by various tating designers and making it around a trefoil is a simple idea. As for the white one, I did work it without a pattern, but later I found it as a part of an antique edging, so not that original.

Neverdeless, there you go, the pattern of the blue element I did. Used as such with a chain it is nice enough to make a necklace, if you make 3 of them, you have the same. In the pattern, I gave up the picots fromt he outer chains.. In my test it was meant to get some more elements added in a second round.

You will need 1 shuttle and a ball or 2 shuttles.

 Hope you will have fun with it. Please let me know if you encounter difficulties, if you decide to work it.

Visual pattern	Written pattern	Remarks
	R: 14 - 7, close R: 7 + 20 - 7, close R: 7 + 14, close Do not turn work.	Actually, you can decide yourself if you turn the work or not. I noticed that for me it is nicer to turn the work, like this the next chain has a nicer start.
	Start chain.  30ds lock join to the first picot of the trefoil.  30ds, lock join to the next picot.  18ds vsp 12ds.  Turn work.
	Start chain: 28 ds.  Start ring: 5 + 5 vsp 2 Do not turn work.
	Start ring:  2 + 5 vsp 5, close.  Turn work.  Start chain 28 ds.
	Start the next trefoil, work it as the previous one.	You will not make any join to the what you worked before!
	Turn work and start the outer chains.  12 join to the picot from the small ring, 18 ds lock join...	Starting this point everything repeats. I could not make more than 3 elements, the edging tends to curve if you make the join picots of the outer chain after the sequence 18 - 12. If you are curious, you can divide this chain differently, it will curve less or at all. (I think 15 - 15 should give a straight edging).

10 minutes tat

I had to finish the thread on a shuttle, so I played.

Pattern for a simple pair of earrings

1 shuttle pattern.

Fun fact: you can stop after various phases and you will still have something interesting.

Not difficult at all, fast to be done and if you have a young pupil, it is perfect to give it to her during the class... She will not feel that she made the folded join or the lock join, promise! 

I choose to make these instructions like this, with pictures, I know it helped me a lot when I found something in this form. Honestly, I spent more time by taking the pictures and to process them than for the actual tatting. 

	This is all you need. The bead has a large hole, large enough to let the chain pass through.
	Secure the begining of the chain with a paper clip.
	Start to tat the chain. 60 ds. Of course you can change the amount of ds as you like, this part will hang anyway behind your bext element.
	What you need now is to place the bead. Mine has 1,5mm hole, enough to be strung on the chain.
	Remove the paper clip and string the pearl.
	Make join lock to close the chain and to form it as a ring.
	Now start the flower. 7-7-7-7 in my case. I have a very fine thread, so my flower vill have max. 2 cm diameter.
	Without the picots for the upper ring now you have a small ring, or pendant, right?
	I continued. Still you can stop at this point, you will still have something to make a finished object.
	But I continued. Now this could be a pendant… Or with a pearl still an earring.
	But I finished my flower. I wanted it a six petal one.
	Why? You can fold it, see?
	And if yo add a pearl in a ring, it is happy enough.

Small, simple things may bring a lot a satisfaction. Remember when you made the first flower? This is the feeling you will never loose. I don't know you, but after I finish the simpliest flower, I take a break to feel it in my hands. Dumm enough.

Back to the pattern topic. I wanted to start to make some. Mined field, I know. I have already submitted 2 of them in my Etsy shop. They are very simple.

One of them is a beaded rosette. The pattern is simple but in the instructions I put clear explanations (diagrammed ones) of the beads placement on the shuttle (for 1 and for 2 colors) and the possible variations. It can be a pendant or, with some variations, a nice beaded snowflake.

The second one, is a flower, an orchid. This time it has the visual pattern and the pictures of the different prases.

Have fun! And if you decide to give a try to this 10 minutes pattern, please let me know. I am curious to see all your ideas, you are all sooo creative!

Second experience in the Virtual Showroom

In July I found a Facebook page, a pretty interesting one. It is Revista promocionarte. I was intrigued my the name, I adore this kind of wordgames, anagramms to be more accurate. For the non Spanish spoken, I will try to explain it. Promocionarte can be read in 2 ways: promotion + arte (easy to understand) and promocionar + te (to promote you). Got it? Studying psychology was a good move for the admin, Carmen Moreno Martin. Great trick! At least it worked for me.

What is she doing? She is also a crafter, and a good one. But she had also the brilliant idea to make a platform where crafters can meet and interract. There are 2 ways, one is the blog: http://revistapromocionarte.blogspot.com.es/ and the other one is the Facebook account: https://www.facebook.com/revistapromocionarte. Not only she helps the other ones, but she manages somehow to bring them toghether in a dymanic way.

Every month she organizes an event: this Virtual Showroom. The idea is to promote yourself and to promote the other ones too. Not that new, as an idea. I was even skeptic in July. But it paid off. Thais Arias from the radio broadcast El Día  (Al día con la moda) contacted me because she found my pieces interesting. It was an live interview on the 24th of July of 10 minutes, a least it seemed that long for me. I would have loved that Carmen herself could have been there. After all, it is her idea and she is the speaks better Spanish than I do.

In September I'm in again. I could not miss it. Part, SEO stuff, but mainly I want to show that with tatting we can make so beautiful pieces, unique ones. If I manage this, I will be happy. This was the collage I made to present my work:

I am happy that a member of the CanaryIslandsTeam from ETSY is also part of this adventure. She is Ana Fernandez Alarcon from LindaPaula. Funny thing: she WANTS to move to tatting! Yupppy!

The event will end this midnight. Then, time to move on. 

I have to finish some pieces I will post them next week. 

All rings pattern for 1 shuttle

I needed to make a test of a new thread a got and from one shuttle some more thread remained. I gave it some good use: testing the thread, tatting with beads and inserting pearls in another way I found in one of the books of Irina's Astratenko.

This is the result:

You cannot see in the image, but the thread is a 40 variegated Brildor... strand of 3. 

It is only rings, so you will use 1 shuttle. 

String 1 yellow, 1 red, 1 yellow (this will be used at the last ring) and then 6 times this sequence of seed beads: 1 yellow, 1 red, 1 yellow, 1 white.

Remember: you have to keep in mind that you have to string the beads in reverse order, so you will use first the last bead you strung. Hope it makes sense. This is important only when you have more than 1 color or different sizes. 

So... You start the ring with the first white seed bead in the llop: 4 - 8 - bp 4 - 8. Do not turn work.

Take the next 3 seed beads, hold them firmily between your thumb and index. Take the next white seed bead, make the loop and start the next ring: 4 + 8 bp  4 - 8. 

And so on, until you will have all six rings. 

The rings will tend to curve. If you use only 2 seed beads between the rings, it will curve more, if you use 4 you will have a a nice beaded curved chain inside the bow. Just an idea... I intend to make a complete round but in green with red and white seed beads, it might give a nice wreath.  

Now you turn the work and attack the big ring. 

There is now a trick! You might need a very fine crochet hook or dental floss folded in 2. 

Bring the last 3 seed beads and make the loop for the last ring. 

Work the first half of the ring. Take the dental floss, take the loop thread like if you want to string a bead. Get this floss from underneath of the work between the first ring and the first seed bead, bring enough thread on the upper side of the lace. Now you can string the bigger pearls (mine are 3 mm each) and secure them with a paperclip. And then finish the ring 15ds  bp (with the last 3 seed beads) 15 ds. Close the ring. And then bring the paperclip at the base of the ring and make lock join. 

This diagramm could help a bit: 

Finally, you have to get something like this: 

If you will work with a thicker thread as mine, you should adjust the amound of ds... My piece is really tiny: 2 cm long and 1,5 cm wide... 

Should not be that complicated. 

The last lock join... Make sure you close the last ring completelly  and evenly... Being a big ring, you could consider closing it little by little, sliding gently the first double stiches to the starting point, holding them in place between the lest thumb and indes and pulling the shuttle thread as often as you need. Like this, the ds are more even, at least this method does the job for me. It takes a while to close a ring, but the result pays off. 

Have fun!

Old pattern, new choker

I wanted to try a new polyester thread to a bigger project. It is a fine thread, I work anyway only with this kind of thread. It has a nice texture, a nice shine, easy to work with. For the small pieces it went well. So I used as base the pattern from the Rosette bracelet with the intention to have a second bracelet. But I added one more ring ans chain to the elements. As always, I got distracted, so I made a necklace out of it.

Where the pearls is inserted, I did it by securing the pearl with a paper clip and then I tatted a chain (9-9) and made a lock join.
Elaine sugested that I could have done a split ring with the pearl. I gave it a thought. I am not smart enough to get both my threads where they need to be for the next step and I should have had  the 4mm pearls on the shuttle. So I got stuck to my solution. If someone sees a way to make the split ring, feel free to share it with us.

The first round has the pattern as for the bracelet, except the middle part. Easy to see: more rings than the rest of it.

For the second round, I put on the second shuttle some Toho beads (size 15) and it goes like this:
R: 17 + 12 - 2 close, do not turn
R: 2 + 12 + 17 close, turn work
Bring 1 seed bead from the second shuttle at the base and start chain 30 ds. Turn work.
R: 8 +8.

Last chain before the middle part has 34 ds then lock join above the pearl, 30 ds turn work.
The rest is mirrored.
This is my prototype:

I will wear it. For the next ones to come, I would try to reduce the amount of the ds from the second round and change a bit the rings above the pearls (ruduce them maybe?) just to see how it looks like. And I would like to work it in coton thread or silk. I suppose with a Lizbeth 20 one should adapt the ds.

Bits of history

Wally Sosa asked in Facebook if someone had some informations about tatting before 1860. Wrong move to have read this, because all my phylologist twisted senses got awake. So I dug... and I dug... Not the common sources from the American libraries. Not they do not have the info, but by instinct I searched English sources and French ones. 
I knew from my French studies that there are mentions about knotting in the XVIIIth century and about frivolité as a term applied to a kind of lace. So I did a targetted search for "frivolité", "navette", "frivolité à la navette", "navette à frivolité" and "faire de la frivolité". 
I am not the only one to have done it. 

To make a point, from the beginning: Mlle Riego de la Branchardière was definitelly the one to develop the existing technique as we know as modern tatting. But was she the first one? Definitelly not, because I am sure this kind of lace was worked before, one way or the other. We have the luck to have her compiling this info and publishing her work and new ideas. 

Sooo... the knotting thing. Nothing to do with tatting, that much we know. BUT the shuttle is there. Proof??? many of them! Just have a look at the beautiful paintings of these nice ladies with their shuttles. If you want, I can indicate some sources. Of course they are bigger than the tating shuttle, of course they do not have united ends, but the shape and purpose to work with thread are there. In an other books dated mid XIXth century the shuttle had in the definition the fact that the 2 blades have  "often united ends". 

My guess is that at the beginning, many of these ladies had these shuttle as presents from their husbands (it was after all, one of the marriage gifts), or they inherit them from a passed relative or protector. I think these shuttle were also used to tat, until someone came with the smaller ones. It was the logical step to do, since the thread was thinner. 
The Queen Elisabeth of Romania was still tatting with a knotting shuttle from the family, and we talk about end of the XIXth century, begining of the XXth. 

Back to the size, The Dictionnaire des dictionnaires  mentions the "navette de frivolité"  at pages  890 and 891 as "a tool to make “frivolité”, the shuttle is composed from 2 blades with an olive shape, with pointed extremities and united in the middle. It has to be not more than 7 cm long, and 3-2 cm wide."... still a little bit bigger than the ones we know from Mlle Riego of Lady Hoare.

In a travel sewing kit form the Palais Royal (dated  for the Louis XVth time) there was a small shuttle in ivory. You can find by googeling...  

During the XVIIIth century there were a lot of mentions for the French Monarchy or nobility of legacy, or purchases of a "navette" in gold, ivory, with or without precious stones. Mme de Pompadour had a lot of them, the Princess Adelaïde, there are some paintings and drawings of ladies with shuttles. In at least 2 inventories I found "fond de panier à ouvrage avec ses navettes". I have a full list of them, it would me boring to post it here. 

In a biography of Mme. de Pompadour (1721 - 1764) written by. Goncourt:

Page 419

"… From the Beauvois tapestry to the China piled on the shelf, from the Sèvres cups to the soup bowl in silver, (…) from the gold embellished furniture to a Martin  laquerer of a tatting shuttle, all these collectors pieces and all the beauties of this century, recommend her as a mistress a luxury and small shiny pile of stones"

During her life, she aquired at least 6 shuttle (I have the references and the prices), 3 of them are mentionned in her testament and in the codicile to be given to friends.

The interesting part is that in an inventory done at the Court of Louis XV, there is a clear mention of a "navette à frivolité" (Inventaire des tableaux commandés et achetés par la direction des bâtiments du roi (1709-1792) : inventaires des collections de la couronne / rédigé et publié par Fernand Engerand). 

With one book printed in 1828 we get a bit of information about what frivolité was in France: a sort of edging, done with a needle or a shuttle (a bit later), consisting, mainly of chaings. It is the Manuel des demoiselles: the term frivolité is there, page 53. 

I make it a bit shorter, it is a blog entry, anyway. 1840, this book here has a clear mention about the tatted lace ("dentelle de frivolité"):

In 1851 I found the first mention of Mlle E. Riego de la Branchardière. She participated to the The great London Exhibition, at the section Tapestr, lace, textile ... with crochet. Funny thing is that I searched first for "tatting", I knew Gallica digitized also English texts. So I found a certain S.A. Ellis, "United Kingdoms, speciments in tatting collars, etc" who got an honorable mention. Then I searched for "Branchardière" and I found her at the same page, first column. 

Long story short: yes, there was tatting before Mlle Riego, I think she put on paper what she knew from France and England, and yes, she changed the tatting as it was until her, by making it easier, lacier, with more elegance as never before. 

Thank you Wally Sosa... without this innocent question of yours I would have never put my nose to dig in dusty archives and I would have not learned so much. 

Anecdote: Mlle Riego was sewing the beads on the lace. In The Complete Book of Tatting, at the Parisian Gymp Trimming  (guess. page 25), she indicates it very clearily!  I am no longer ashamed.